12/29/2023 0 Comments Process c 41 filmWhen mounted on card stock, these images are the slides that you’d put in a slide projector, or the slides that your grandparents have in boxes in the attic. The light and dark areas appear as they do in reality. Unlike the more common color negative film, slide film produces a positive image straight onto the film. Slide film has many other names, including “positive“, “transparency“, “reversal“ and “E-6” film. Essentially, all the areas that appear lightest on the negative will be dark on the final print and all dark areas of the negative will show light on the print. This is by far the most common type of black and white film, and it works in much the same way as color negative film. If you're just starting out, you may want to consider film developing starter kits. For example, a C-41 developing kit contains bleach, color developer, and stabilizer. Unlike negative film, the light and dark areas appear on the film as they do in reality. C-41, E-6, and RA-4 kits are available and include all the chemicals you'll need for that specific developing process. Slide film, (also known as “positive“, “transparency“ and “reversal“ film) is a type of film that produces a positive image straight onto the emulsion. As each chemical mixture is optimized for a specific kind of film, you will get unpredictable results when combining them differently. It is also possible to develop color negative film at home, however it is more complicated than developing B&W film because of the precise temperature and timings that are required to achieve good results.Ĭross processing (or “X-pro”) is the procedure of deliberately processing film in a chemical solution intended for a different type of film. Because of this standardization, C-41 processing is usually done by machine and is therefore cheaper than B&W film to have developed at a lab. The majority of colour film in use today uses C-41 processing and it has been the industry standard since 1972. However all of our color film uses C-41 processing.Ĭ-41 is the name for the standard process for developing color negative film. Our Color Negative range produces accurate and true to life colors while the LomoChrome family of films create dramatically altered colors for stunning effects. At Lomography we have a wide variety of exciting color films. Some films produce vivid colors, while others give paler tones to images. This is part of what makes film photography so fun. There are many different varieties of color negative film, with a wide range of film speeds and color reproduction. You''d be amazed at the enhanced tonal change you''ll receive.© Bradley Higginson via Flickr, Image used under Creative Commons license It seems to me anyone who has tried this film to unsatisfactory results, simply isn''t utilitze a professional lab with a qualified printer at the helm, or needs to start rating this film properly at E.I. For architecture and landscape, and portraits, T400CN is a winner. Tri-X and Fuji Neopan 400 still tops for me. Since I prefer the added textual quality grain provides in my dad to day, and even some portrait shootings, I shoot non-chromogenics. When I want no grain, I shoot T400CN, period. You always strike a compromise somewhere with these films. processing color print film with black and white chemicals Im taking a class and have free (as in beer) access to b/w chemicals. It has a beautiful smooth tonal range I love, but cannot match T400CN for its overall grainless look. Since this is not the ONLY B&W film I use, I recently began shooting Fuji 100 Acros based on recent reviews. If you''re an amateur, I strongly suggest you consider this film as mini-insurance policy in tricky lighting situations. Try that with any non-chromogenic and kiss half your prints goodbye. 200 to 800 on the same roll with fantastic results. The best attribute to this film is its latitude. I know printers who disagreement with me, but all I have are my own prints for comparison. I personally prefer this chromogenic over Ilford XP2 Super, which I find doesn''t enlarge as cleanly to 8x10 and 11x14 as T400 does. Yet, I have two 4圆 prints on my wall printed from Rite-Aid on T400CN. If a pro has difficulty, you can bet a computerized mini-lab machine will be of no help. At 400 rating, I have heard complaints about how difficult (time consuming) it can be to find the right contrast range. And yes, I only use professional printers here in L.A. I almost always rate this emulsion at 200 - sometimes 100, depending on contrast variation of the scene. I have photos to 11x14 that look medium format to even the most discerning eye. I''ve shot almost every B&W emulsion over the years, and never found any to date that can rival T400CN for its latitude and lack of grain (being a dye based film).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |